Barclay's about to get in trouble, but the ship's malfunctions start to get serious: the accelerator's jammed in the on position, which will quickly tear the ship apart. La Forge needs his entire Engineering braintrust never seen before or since to help.
The Headless Horseman Rides with D23 in Sleepy Hollow, NY! - D23
They start trying to figure out solutions and eventually Barclay comes up with the leap that saves them: the problem isn't systemic, it's being transmitted from person to person. The canister from the start of the episode had some magic science in it that has caused all of the malfunctions. With the theory confirmed, they fix the ship's broken warp drive and no-one has to die.
The final scene involves Barclay saying goodbye to the Enterprise bridge crew, explaining his decision to leave as they remind him he'll always be welcome on the Enterprise. And then he says "Computer, End Program" and it turns out he's on the holodeck, and he was saying goodbye to his holo-crew. That's right!
Practice: from “The Legend of Sleepy Hollow” #1
They used the same twist at the end of the episode as the start. Now that's narrative circularity.
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Sure, it's nice to see an episode where the holodeck doesn't malfunction and threaten to kill everyone inside, but surely Barclay should be allowed his privacy even if he is using it normally? Speaking of which, I find it funny that he just went to sleep in there. Is there a booking system for holodecks? Is it first-come, first served? Do people have to run for the sign-up sheet every second Monday? We need to know these important details. The hammed-up musketeers.
The diminutive Riker. The brat Wesley who spends the entire time stuffing his face. Troi telling Holo-Troi to "muzzle it.
The actual funniest thing about the holodeck fantasy, though? No Worf. Barclay's clearly just THAT scared of him.
The Hollow Point
Deliberate reference, a mistake that got left in deliberately, or a mistake that wasn't caught? Either way, if the Enterprise had one of those the series would be slightly different only slightly, though. They already don't need roads. The title may come across as slightly corny and the opening ukulele chords raise a doubt as to where this might go. With that opener Lost Hollow set the scene for the rest of the album. Listening feels like taking a deep breath of the sea air shown on the video. Whether under the Florida sun or along the windswept Welsh coast Lost Hollow convey warmth and a generosity of spirit.
Lost Hollow do seem to have found a new direction in Looking For Happy as they layer a simple melody with some complex yet highly effective arrangements. This is big music. Take a look at the musicians on this album. There are others equally well connected and this is the company the Hardens keep.
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The guitar and pedal steel solos punctuate the pace with a s country rock feel. Patrick Wilson is married to actress Dagmara Dominczyk; the couple has two children. Ian McShane Actor A natural at portraying complex anti-heroes and charming heavies, IAN McSHANE is the classically trained, award-winning actor who has grabbed attention and acclaim from audiences and critics around the world with his unforgettable gallery of scoundrels, kings, mobsters and thugs.
And, now, a god as well! McShane just completed his second season as star and executive producer on the hit Starz series, "American Gods," the TV adaptation of Neil Gaiman's novel. As Mr. Wednesday, a shifty, silver-tongued conman, he masks his true identity - that of the Norse god of war, Odin, who's assembling a team of elders to bring down the new false idols.
A series McShane calls "like nothing else I've seen on television. He also received the Television Critics Association Award for Individual Achievement in Drama for his work in the show's debut season with a second nomination in It is a role and performance the New York Times dubbed "one of the most interesting villains on television. After a twelve-year hiatus from portraying maybe his most iconic character "it was the most satisfyingly creative three years of my professional career" he says , McShane recently reprised the unforgettable rogue when HBO resurrected the s western in a two-hour telefilm, "Deadwood: The Movie," nominated for the Outstanding Television Movie Emmy.
At an age when many successful thespians turn to cameo appearances and character parts, McShane's busy career which dates back to also includes three very different starring roles on the big screen in the coming months. And, he reprised his role reuniting with Keanu Reeves as Winston, the suave and charming owner of the assassins-only Tribeca hotel in the latest installment of director Chad Stahelski's action trilogy, "John Wick: Chapter 3 - Parabellum," which opened to enormous box office success.
Years before his triumphant role in "Deadwood," McShane had compiled a long and diverse career on both British and American television.
The popular Sunday night drama which attracted 18 million viewers weekly during its run from saw McShane in the title role of an irresistible, roguish Suffolk antiques dealer. He would reunite with the BBC by producing and starring in the darker and more serious drama, Madson.
It's a character McShane says "would fit into the Vatican. Thorne" and HBO's juggernaut, "Game of Thrones" "I loved the character and did it because my three grandkids, big fans of the show, wouldn't have forgiven me if I hadn't". McShane, who shows no signs of slowing down in a career now entrenched in its sixth decade "acting is the only business where the older you get, the parts and the pay get better" , began his career during Britain's New Wave Cinema of the early s.